Atreyu—pronounced uh-TREY-oo (/əˈtreɪu/)—is a luminous invention of late-20th-century literature, first riding into collective consciousness as the valiant niño guerrero of Michael Ende’s 1979 novel “Die unendliche Geschichte” and its 1984 cinematic adaptation, “The NeverEnding Story.” Although scholars of onomastics often seek a classical root—frequently pointing to the ancient Greek Atreus, forefather of Agamemnon, or to Turkic and Indigenous phonetic echoes—the consensus remains that Ende forged the name to evoke a pan-cultural aura of courage and purity, much as a goldsmith fuses diverse metals to fashion a single resplendent medallion. In the North American naming landscape, Atreyu has traced a gentle but persistent arc across the past four decades, never soaring into ubiquity yet glimmering steadily in the middle hundreds of the Social Security charts—an ember of imagination kept alive by parents who desire a son’s name that whispers aventura while retaining the gravitas of an epic. Its syllabic cadence—anapaest followed by a liquid glide—offers a euphony prized by linguists for its open vowels and lyrical stress pattern, conferring upon the bearer a sense of forward motion, como un caballo al galope sobre la pampa. Culturally, Atreyu is indelibly associated with valor untarnished by cynicism: the child-warrior who confronts the Nothing with nothing but corazón valiente. To bestow this name is to inscribe upon a newborn an invitation to journey—a pledge that his story, like Ende’s fantasia, will be sin fin, ever expanding toward horizons where hope and heroism entwine.