Within the rich tapestry of personal nomenclature, Paisley unfurls like an ornate arabesque on fine silk, its lineage tracing back to the Scottish town whose Gaelic name, Pàislig, signifies a “basilica” or “church,” and thus evokes echoes of cloistered gardens, incense, and solemn chant; in a graceful chiaroscuro of meaning, that same place lent its title to the famous droplet-shaped textile, itself an heir of the Persian boteh, whose sinuous curves dance across fabric like tiny flammes vivantes. This dual provenance bestows upon Paisley a singular harmony—sacred stillness entwined with artistic exuberance—so that the name vibrates con alma et cor, resonating equally with seekers of spiritual gentleness and admirers of cosmopolitan design. Small wonder the American charts bear witness to a meteoric ascent—Tempora mutantur, the times are changing—as Paisley has risen from relative obscurity in the late twentieth century to a steadfast berth within the national Top 60, embodying the modern parent’s desire for an appellation at once venerable and vivacious. Thus, to bestow Paisley is to weave a filigree of sanctuary and splendor around a child, granting her both the hush of ancient stone and the bright flourish of living color.
| Paisley Currah is a Canadian-born political scientist and author whose book Sex Is as Sex Does examines sex classification, and he is a professor at Brooklyn College and the CUNY Graduate Center in New York. |
| Paisley Rekdal is an acclaimed American poet and former Utah Poet Laureate, author of poetry, essays, and a memoir, honored with awards including a Guggenheim and the Tufts Poetry Award. |