Rosemarie, pronounced ROHZ-muh-ree, emerged in late-nineteenth-century German and French records as a contracted double-given name combining Rose—ultimately from the Latin rosa, “rose blossom”—with Marie, the French and German form of the Hebrew Miryam, “beloved” or “wished-for child.” The fusion yields a semantic layering that evokes both botanical grace and Marian devotion, an amalgam well suited to the Neo-Romantic taste for nature-infused piety that swept English-speaking societies prior to the First World War. In the United States its ascent was most pronounced between the 1920s and the early 1940s, when annual ranks hovered between the mid-100s and low-200s, after which a gradual attenuation set in; recent data show a modest but persistent presence—roughly one hundred births per year—suggesting that contemporary parents view it as a distinctive alternative to the more familiar Rosemary. Literary and musical references are sparse yet telling: continental lullabies and mid-century torch songs use “Rosemarie” to signify refined melancholy, while modern indie lyrics exploit its vintage cadence for nostalgic effect. Collectively, these historical, linguistic, and cultural strands confer upon Rosemarie an understated elegance that appeals to families seeking a compound name with both classical roots and quiet individuality.
| Rosemarie Aquilina - |
| Rosemarie Trockel - |
| Rosemarie DeWitt - |
| Rosemarie Sonora - |